Meanwhile, the dialogue is uninspired and often exposition-heavy, the action set-pieces are distinctly mediocre, and the pharmaceutical conspiracy plot is half-baked and not particularly interesting. You don't get the impression that these characters are real, living people that exist outside the movie – which makes it that much more difficult to care a jot about what happens to them. Momoa is a brooding presence as Ray, but there isn't any discernible chemistry between him and his supposed daughter, with their dynamic never coming across as particularly engaging or believable. The plot moves forward fairly quickly – with several time jumps in the opening stages – but never really settles into any kind of rhythm, with the clumsy setup preventing any real momentum from gathering. But it's rather bland.To begin with, it's all just a little dull. It would've been acceptable (even appreciated) had Sweet Girl been more bitter about the world we live in, a world that's reeling from a pandemic that exposed the wealth gap and the corporate malpractices of Big Pharma. Emote as hard as he may, if the script resorts to resolving every problem with violence, then what even is the point? Momoa has an imposing presence, of that there is no doubt, but I wish more movies are able to tap into his potential as a dramatic performer, without feeling the compulsion to inevitably hand him a gun at some point. So drastic is this about-face that someone who’d been set up as the main villain is all but forgotten in favour of an insipid assassin.Īlso read: Beckett movie review: John David Washington blazes his own trail in breakneck Netflix thriller Sweet Girl, in that moment, stops being about the broken healthcare system and one man’s quest to right some wrongs, and becomes a generic revenge flick. The Sweet Girl (2020) - MyDramaList The Sweet Girl (2020) Details Episode Guide Cast & Crew Reviews Recommendations Photos Edit this Page Buy on Amazon Add to List 7.7 Your Rating: 0 /10 Ratings: 7. It couldn’t.Īnd if a movie’s willing to be this nutty (unironically, of course), you best believe that it doesn’t give a hoot about following through on interesting ideas that it had once set up. There were moments, especially early on, when I wondered if the movie could actually do something as nonsensical as this, but the mere thought was immediately followed by a ‘nah’ of disbelief. Premiering on August 20, Sweet Girl stars Jason Momoa (Aquaman, Dune, Justice League) and Isabela Merced (Dora and the Lost City of Gold, Transformers: The. It’s the kind of twist that even you, as a casual moviegoer, would swat away the second it crosses your mind when you're daydreaming about writing a script. And this delusion snowballs into something even stupider, when a little over the hour-mark, the movie delivers a plot twist so ridiculous that it jolted me out of my stupor. This would be fine, just look at the career Jordan Peele has made for himself, but Sweet Girl is at no point willing to accept its inherent lunacy. It’s the sort of movie that takes a hot-button political issue - in this case, free healthcare - and filters it through the lens of a schlocky B-movie. Jason Momoa and Isabela Merced in a still from Sweet Girl. So he calls up the news channel, and doing his best Neeson impression, tells the CEO that he’s coming for him.įor a film that feels very current - hoodie-wearing Pharma bros have only recently been accepted as viable movie villains - Sweet Girl feels like something that would’ve been made in the mid-2000s. Inches away from her in her final moments, Ray watches the CEO on a primetime news debate, and decides that threatening his life on national television would be a good plan. In a fit of anger directed at the smarmy CEO of the pharmaceutical company that pulled a potentially life-saving drug from the shelves as a piece of market manipulation, Ray dedicates his life to exacting revenge for his wife's death. But it’s unclear what life experiences enable Ray to magically turn into Jason Bourne when the situation demands. Instead, all we get is a hasty prologue in which Ray’s wife dies of cancer, leaving him to care for their teenage daughter Rachel (Isabela Merced).ĭirector Brian Andrew Mendoza, a longtime collaborator of Momoa’s - he’s the man behind the breathtaking visuals of Momoa’s directorial debut, Road to Paloma - inserts shots of Ray working out at a boxing gym, perhaps in an attempt to contextualise his unusual appearance. There’s no two ways about it there aren’t a lot of Jason Momoa-looking dudes out there, and if you’re going to have one in your movie, you need to first explain, to a satisfying degree, who they are and where they come from.
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